Wood Picture for Gerdayesh
Forest Heart is a project-like work in Naqshbandi, a method of doing marquetry claiming to be the implementation of a new period in this wood art's history. Initially, it depicts the figure of a bird, each piece of its body from the wood of a forest tree. The remarkable point, however, is not only keeping original colors of woods, as it is typically done in all marquetry works, it also saves patterns, light shade-waves, and textures. A world of startling discoveries each piece has with even a magnifier look, so its viewers can spot woods' natural fortuities.
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Download Press Kit № 86837 Wood Picture for Gerdayesh by Mohamad ali Vadood to access high-res images, essential texts, translations, and exclusive interviews—all in one.
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Explore press materials for Forest Heart, available in languages such as English.
Bringing Forest Heart closer to you with translations in multiple languages: Wood Picture EN, Houtfoto AF, Fotografia E Drurit SQ, የእንጨት ስዕል AM, الصورة الخشبية AR, Փայտի Նկարը HY, Ağac Şəkilli AZ, Egurrezko Argazkia EU, Карціна З Дрэва BE, কাঠের ছবি BN, Slika Drveta BS, Дървената Картина BG, သစ်သားရုပ်ပုံ MY, La Imatge De Fusta CA, Chithunzi Cha Nkhuni NY, 木画 ZH, Stampa Di Lignu CO, Slika Drveta HR, Dřevěný Obrázek CS, Træbillede DA, Houten Plaatje NL, Ligna Portreto EO, Puupilt ET, Puukuva FI, L'image En Bois FR, O Cadro De Madeira GL, ხის სურათი KA, Holzbild DE, Η Εικόνα Ξύλου EL, લાકડું ચિત્ર GU, Foto Bwa HT, Hoto Itace HA, תמונת עץ HE, लकड़ी का चित्र HI, A Fa Kép HU, Gambar Kayu ID, Pictiúr Adhmaid GA, Foto Osisi IG, Tré Mynd IS, Il Quadro In Legno IT, 木の絵 JA, Gambar Kayu JV, ಮರದ ಚಿತ್ರವು KN, Ағаш Суреті KK, រូបភាពឈើ KM, Ishusho Yimbaho RW, Жыгач Сүрөтү KY, 나무 그림 KO, Wêneya Dar KU, Lignum LA, Holzbild LB, ຮູບໄມ້ LO, Medžio Paveikslas LT, Koka Attēls LV, Слика Од Дрво MK, Sary Sary MG, Gambar Kayu MS, മരം ചിത്രം ML, Stampa Tal-Injam MT, Ko Te Pikitia Rakau MI, लाकूड चित्र MR, Модон Зураг MN, काठ चित्र NE, Trebilde NO, କାଠ ଚିତ୍ର OR, ਲੱਕੜ ਦੀ ਤਸਵੀਰ PA, تصویر چوب FA, Obraz Z Drewna PL, د لرګیو انځور PS, A Imagem Em Madeira PT, Tabloul Din Lemn RO, Картина Из Дерева RU, ڪاٺ جي تصوير SD, Fafie Ata SM, Слика Дрвета SR, Tha Dealbh Fiodha GD, Mufananidzo Wehuni SN, දැව පින්තූරය SI, Drevený Obraz SK, Slika Lesa SL, Sawir Alwaax SO, Setšoantšo Sa Patsi ST, El Cuadro De Madera ES, Gambar Kai SU, Picha Ya Kuni SW, Träbild SV, மர படம் TA, కలప చిత్రం TE, Тасвири Ҳезум TG, ภาพไม้ TH, Agaç Suraty TK, Ang Larawang Kahoy TL, Ahşap Resim TR, Агач Рәсем TT, ياغاچ رەسىم UG, Малюнок З Дерева UK, لکڑی کی تصویر UR, Yog'och Rasm UZ, Tranh Gỗ VI, Llun Pren CY, Houtôfbylding FY, Umfanekiso Weenkuni XH, האָלץ בילד YI, Aworan Igi YO, Isithombe Sokhuni ZU, 木畫 ZY, Kahoy Nga Larawan CEB, Kiʻi Lāʻau HAW, Daim Duab Ntoo HMN.
Access our collection of Forest Heart articles, ready for use and offered in languages: English, Spanish, Chinese (Mandarin), Hindi, French, Portuguese, Korean, Dutch, Italian, Japanese, Russian, Indonesian, German, Turkish and Arabic (Standard).
This art project tries to fulfill three intended purposes: 1. Taking a fresh look at wood to explore a new perception in it and to harmonize with its pure nature as well, so we can come up with original ideas to create real art. 2. Applying an innovative technique in working with wood and also in using common tools so we could achieve adequate quality in our performance. 3. Discovering, creating and defining new ways to gain desired images by tracing natural patterns in pieces of wood and making a synthesis between them.
naqshbandi, wood pattern tracing, marquetry, wood pattern, double cut, wood texture, wood cut, coping saw, wood character, wood art
Defining a geometrical table based on cutting angles plus a method of cutting for even 1 mm pieces, and trying to have desired wood patterns and spots by restoring in perfect conditions like natural moisture percentage, etc. to benefit from bacteria activity were the main production phases. The types of wood, they were haloxylon for the body and the head, barberry for the tail, fig for the feet, tree of heaven for the nose and the leaves, acer monspessulanum (keykom) for the leaves again, jujube for the beak, European ash for the background and wenge for the margin. The tools were coping saw, plane, sanding paper, nail and hammer.
Defining geometrical patterns of cuts so that pieces of wood could save their original patterns, overcoming the thickness of cutline without using primer, and coming up with the idea of what I call Double-cut at the time of sanding to prevent the destruction of sub-patterns and sub-textures and save the main image are the parts of this work that ended up being its challenges.
This work was created, in Tehran, started and finished in 2010, and to find appropriate woods they were provided from different places. It took 6 months to accomplish the project as it turned out to be time-consuming to find desired wood pieces.
In this project-like work of art you can see a specific way of working with wood using the fewest pieces and mainly benefiting from the natural colour and also texture of the wood so you can build up a perfectly complete image, which actually cannot be repeated or copied as patterns in each piece are naturlly unique. Thus, it can be artistically used as a piece of decoration, specifically in wood-based decorated spaces on the wall or a shelf. As for the transformation, it could be carried in a box of the same size and as it deos not weigh that much or take up much space, it does not matter a special transport.
Naqshbandi is a new method or attitude which is used to create this piece and aims to benefit from connecting lines, expanding textures from one piece to another, and deciding upon the true light shade, not just the colour contrast and various tonalities as it is usual in other works of marquetry. It requires the artist to make a full-hearted attempt to harmonize themselves with the nature of wood as much as possible, and help them grow a clear perception of their work and gain a direct inspiration from natural fortuities given by wood. So, the whole thing will finally sound the art of nature in the eye of beholder.
Natural wood structure, consisting of a variety of colours, illusory lines, special texture and darkened and bright spots with special makeup during the growth of the tree, can broaden any individuals' horizon in many impossible to imagine ways. The cutting angle of the wood makes these motifs look even more varied on the surface of a piece, cut from the main wood. With this discovery of what the cutting angle leads to what l am thinking of, l came up with this idea that I would find a base for this to control the patterns, lines and colors of the wood to create an originally incredible image based on the nature of wood and not manual changes.
Forest Heart Wood Picture has been a Iron winner in the Fine Arts and Art Installation Design award category in the year 2019 organized by the prestigious A' Design Award & Competition. The Iron A' Design Award is awarded to good designs that meet the rigorous professional and industrial standards set by the A' Design Awards. This recognition is reserved for works that demonstrate a solid understanding of design principles and show creativity within their execution. Recipients of the Iron A' Design Award are acknowledged for their practical innovations and contributions to their respective fields, providing solutions that improve quality of life and foster positive change. These designs are a testament to the skill and dedication of their creators, showcasing their ability to address real-world challenges through thoughtful design.
For design images and photos please credit Mohamad ali Vadood.
Mohamad ali Vadood was recognized with the coveted Iron A' Design Award in 2020, a testament to excellence of their work Forest Heart Wood Picture.
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Discover the innovative art project, Forest Heart, by Mohamad ali Vadood, a groundbreaking exploration of wood art that harmonizes with nature.
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